Missa Ad Fugam - Palestrina, Giovanni Pierluigi da

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"This mass is canonic ("ad fugam") throughout, written in either 1 or 2 two voices from which the remainder derive by means of a canon. In the 4 part sections (''Kyrie, Gloria, Credo, Sanctus, Osanna, Agnus Dei I'') the alto is followed by the soprano a fourth higher a semibrevis (in the ''Osanna'' a brevis) apart, the tenor a fourth higher than the bass and following by a semibrevis (in the Osanna a brevis). In the 3 part ''Pleni'' the tenor follows the Bass a fourth higher and a semibrevis apart, the alto follows the tenor a fifth higher and a brevis later. In the ''Benedictus'' all 3 voices are 2 breves apart and enter a fifth lower. The final ''Agnus Dei II'' for 5 voices has two canons: the tenor follows the bass a fourth higher and a semibrevis apart, and the alto I is followed by the alto II in unison six semibreves later with the soprano following the alto II in the usual pattern, a fourth higher and a semibrevis apart."

⌛ Epoche → Renaissance ◈ Genre / Form → Messen

♯ Tonart C major

⁄ Taktart 4/4

◆ Difficulty

Unterstufe

↕ Tonumfang F – g''

¶ Sprache → Latein

Takte 381

Textur mixed texture

Stimmen 5

Instrumente A cappella

Seiten 17

CPDL Nr. 83923

Bearbeiter Leonardo Lollini

Veröffentlicht 2025-02-19

Lizenz Gemeinfrei

♫Tonumfänge

Cantus

e' – g''

Altus

a – d''

[Quintus]

b – c''

Tenor

F – g

Bassus

c – d'

Schlagwörter

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