Ricercar sopra ut, re, mi, fa, sol, la - Porta, Costanzo

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"Guido of Arezzo, in the 11th century, wrote about the hexachord and his mnemonic for naming its notes, a poem "Ut queant laxis" from c.800 that he may have set to music himself. Each successive half-line of the poem begins on the next step of the hexachord, and the syllable there becomes the name of the step. Porta's riff on those notes, though written for keyboard, is clearly written in four voices which correspond nicely to SATB ranges. Thus we have chosen to add the text of that very hymn, to adapt this ''ricercar'' for choral performance. 7 Sep 2012"

⌛ Epoche → Renaissance ◈ Genre / Form → Motetten

♯ Tonart G major

⁄ Taktart 2/2

♬ Besetzung → SATB

◆ Difficulty

Fortgeschritten (Mittelstufe I)

↕ Tonumfang G – g''

¶ Sprache → Latein

Takte 93

Textur mixed texture

Stimmen 4

Instrumente SATB

Seiten 7

CPDL Nr. 35803

Bearbeiter John Hetland

Veröffentlicht 2015-06-18

Lizenz CPDL-Lizenz

♫Tonumfänge

e' – g''

g – b'

d – f'

G – c'

Schlagwörter

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¶Liedtext

'''Ut''' quéant làxis '''re'''sonáre fíbris '''Mí'''ra gestórum '''fá'''muli tuórum, '''Sól'''ve pollúti '''lá'''bii reátum, Sáncte Joánnes. Núntius célso véniens Olýmpo, Te pátri mágnum fóre nascitúrum, Nómen, et vítae sériem geréndae Ordine prómit. Ille promíssi dúbius supérni, Pérdidit prómptae módulos loquélae: Sed reformásti génitus perémptae Organa vócis. Véntris obstrúso récubans cubíli Sénseras Régem thálamo manéntem: Hinc párens náti méritis utérque Abdita pándit. Sit décus Pátri, genitaéque Próli, Et tíbi cómpar utriúsque vírtus, Spíritus sémper, Déus únus, ómni Témporis aévo. Amen.

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