Sancta Maria - Crecquillon, Thomas

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"The '''''Sancta Maria''''' of Thomas Crecquillon really comprises '''two''' works with '''one''' source manuscript. The 'si ascendero…' and 'si descendero…' In the margin above the Cantus part of the source manuscript, the following inscription appears, together with the beginning of the Cantus part transposed down a twelfth, in the bass F-clef:<br> <table><tr><td> :'''Canon''' </td><td> :''si ascendero in caelum, tu illis es,'' :''si descendero in infernum, ad es.''</td></tr></table> The solution to this ''Canon'' (rule) is that the Cantus part may be sung '''either''' as found in the manuscript '''or''' transposed down a twelfth, becoming a 'Cantus-Bassus' part. As a consequence, one has both an SATB work with the ''si ascendero…'' solution and an ATBB work with the ''si descendro…'' solution. Except that both versions are quintessentially Crecquillon, they are strikingly different in sound and effect.|dis=No"

⌛ Epoche → Renaissance ◈ Genre → Motetten

♯ Tonart G minor

⁄ Taktart 2/2

♬ Besetzung → SATB, ATBB|add=(SATB 'si ascendero…'), (ATBB 'si descendero…')

◆ Difficulty

Unterstufe

↕ Tonumfang G – d''

¶ Sprache → Latein

Takte 81

Textur mixed texture

Stimmen 4

Instrumente A cappella

Seiten 6

CPDL Nr. 66274

Bearbeiter Adrian Wall

Veröffentlicht 2021-10-18

Lizenz Personal

♫Tonumfänge

Cantus

c' – d''

Contratenor

d – a'

Tenor

B-2 – d'

Bassus

G – B-3

Schlagwörter

Pages_using_DynamicPageList3_parser_function Posted_in_October_2021 More_than_90_days_old More_than_30_days_old CPDL_662xy