Harmonia artificioso-ariosa - Biber, Heinrich Ignaz Franz von

"Op. C 62–68. Movements: 7 partitas: #Partia I in D minor: Sonata, Allamande, Gigue with Variatio I & II, Aria, Sarabande with Variatio I & II, Finale (''scordatura'': both violins tuned a, e', a', d") #Partia II in B minor: Praeludium, Allamande & Variatio, Balletto, Aria, Gigue (''scordatura'': both violins tuned b, f', b', d") #Partia III in A: Praeludium, Allamande, Amener, Balletto, Gigue, Ciacona (''scordatura'': both violins tuned a, e' a', e") #Partia IV in E: Sonata, Allamande, Trezza, Aria, Canario, Gigue, Pollicinello (''scordatura'': violin tuned b, e', b', e"; viola tuned e, b, e', b' #Partia V in G minor: Intrada, Aria, Balletto, Gigue, Passacaglia (''scordatura'': g, d', a', d") #Partia VI in D: Praeludium, Aria with Variatio I–XIII, Finale (both violins tuned normally) #Partia VII in C minor: Praeludium, Allamande, Sarabande, Gigue, Aria, Trezza, Arietta variata (''scordatura'': both viole d’amore tuned c, g, c', e', g', c")"

◈ Genre / Form → Barock

◆ Difficulty

Virtuos (Oberstufe, Künstlerische Ausbildung)

Instrumente 2 violins (Partitas 1-3, 5, 6), or violin, viola (Partita 4), or 2 violas d’amore (Partita 7), all with continuo

Bearbeiter Paul Nettl (1889–1972)Friedrich Reidinger (1890–1972)

Veröffentlicht 2010-01-08

Schlagwörter

partitas 2vn bc vn va bc 2vda bc

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