School of Interpretation for the Violin - Ševčík, Otakar

"Op. Op.16. Composed: 1929-32. Movements: 45 pieces in 2 parts, with technical studies *Part 1: Introduction to solo Playing :1. '''Rode''': Melody, Concerto No.6, 1st Movement. (''Styles of bowings on eighths'') :2. '''Rode''': Introduction to Rondo Concerto No.6. (''Styles of bowing on eighths in 6/8 time'') :3. '''Fiorillo''': Andante, Etude No.13. (''Shifting of position in various forms'') :4. '''Wieniawsky-Warlamoff''': Romance from Souvenir de Moscou. (''Bowing styles on triplets'') :5. '''Ševčík''': Andante on the G string, Op.10/5. (''Rhythmic studies'') :6. '''Leclair''': Sarabande. (''Introduction into 3/2 measure. Bowings for legato, martelé and staccato'') :7. '''Paganini''': Theme from Non piú mesta. (''Repeated raising of the bow at the up-stroke'') :8. '''Mendelssohn''': Melody in G, Concerto E-minor I. (''Shading and nuance of the tone'') :9. '''Rode''': Adagio, Concerto No.7. (''Studies on the G String'') :10. '''Rust''': Gigue. (''Bowing style Spiccato'') :11. '''Beethoven''': Melody G-minor, Concerto in D-major III. (''Rhythmical exercices in 6/8 time'') :12. '''Rode''': Adagio, Concerto No.6. :13. '''Wieniawski''': Theme original from Op.15. (''Drawn and sharp notes by turns'') :14. '''Ševčík''': Introduction to the natural and artificial harmonic tones. :15. '''Spohr''': Introduction to I. Movement, Concerto No.2. :16. '''Ernst''': Melodic Scene in A-major from the III. Concerto in F-sharp minor. :17. '''Rode''': Introduction and Melody to the Concerto No.7-III. (''on the dotted rhythm'') :18. '''Molique''': F-major Melody, Concerto No.5-I. (''Bowing styles accompanied by 2nd violin'') :19. '''Beethoven''': Rondo theme from the Violin Concerto. :20. '''Spohr''': Marchscene, Concerto No.8-III. :21. '''Viotti''': Melody with Double-Stop Passages, Concerto No.18-I. :22. '''Wieniawski''': Cantabile A-major Concerto 1-I. (''Rhythmical exercices in triplets'') :23. '''Vieuxtemps''': Theme from the Fantasia Appassionata. (''Softness of the tone'') :24. '''Paganini''': Theme from I Palpiti. (''Shading of the tone'') :25. '''Viotti''': Rondo with Double-Stop Passage, Concerto No.28. :26. '''Wieniawski''': Theme form Carneval Russe. :27. '''Molique''': Ricochet-Scene from the Concerto No.5-III. :28. '''Ernst''': Andante from the Hung. Melodies. (''Graded Studies of tone'') :29. '''Wieniawski''': Melody with Octaves from the Concerto No.1-III. :30. '''Paganini''': 7 Variations from the Carneval of Venice. (''Rhythmical Studies'') *Part 2: Introduction to Virtuoso Playing :31. '''Vieuxtemps''': Serenade A-major on the G-string, Concerto No.1-III. ::'''Ševčík''': Andante, Op.10/4. (''Changing of tempo moderato and quick'') :32. '''Beriot''': Melody in Octaves, Concerto No.9-I. (''Independence of the fingers'') ::'''Tartini''': Larghetto from the Devil's Sonata. (''Independence of the fingers'') :33. '''Ševčík''': Theme in Octaves Op.10/4. (''Preparation for the sautillé and glissando'') ::'''Paganini''': Secondary Subject form the Concerto No.2-II. :34. '''Beriot''': Adagio from the Concerto No.7. (''Chain-trills'') ::'''Laub''': Melody and Octaves from the Polonaise in virtuoso form. (''Study of Nimbleness'') :35. '''Tartini''': Largo and Allegro from the G-minor Sonata. (''Double-stops and suppleness of the wrist'') :36. '''Beriot''': Air varié No.1. (''Double-stops and Chords in virtuoso form'') :37. '''Rust''': Gigue for Solo Violin. (''Pizzicato with the left hand'') ::'''Rust''': Courante. (''Suppleness of wrist in crossing two and three strings'') :38. '''Spohr''': Larghetto in Double-Stops. (''Third double-stops in virtuoso form'') :39. '''Vieuxtemps''': Andante sostenuto from the Concerto No.2 (''Pliancy of Bowing'') :40. '''Wieniawski''': Scherzo -Tarantelle :41. '''Sarasate''': Gipsy-Melodies :42. '''Ernst''': Hungarian Melodies :43. '''Bazzini''': Dance of Gnomes :44. '''Paganini''': Moses-Fantasy :45. '''Paganini''': Witches Dance"

◈ Genre / Form → Romantic

◆ Difficulty

Advanced (Grade 6)

Instruments violin, (piano)

Editor {{FE